White
rocks shining in the sun, lush natural vegetation and animal life, and a sea
which before becoming deep blue, merges into every conceivable shade of blue
and green: the archipelago of Hyeres on the Côte d'Azur is known as the
archipelago of the Golden isles. And what can we say about the Calanques of
Cassis, deep furrows caused by water erosion on the clayey slopes with their
breathtaking "calette" and rocks which can be reached only by boat
or on foot ? Or the extensive Crau plain, which is stoneless, and which has
an almost lunar appearance, being one of the last European steppes, delimited
according to Giono "by a wall of syrupy air in which the heat pulsates".
The
inland area of Provence is a land of natural mysticism and sacredness, and one
of the focal points of Medieval monasticism, Bernardo di Chiaravalle alone founding
one hundred and seventy abbeys between 1112 and 1153. It is here that we can
see the "three sisters", to be visited on a mystical and meditative
itinerary: Sénanque, Thoronet and Silvacane, who welcome and restore
the spirit with their severe, yet harmonious forms. It still remains a perfect
example of the Provençal Romanesque style, that is timeless, and a demonstration
that true values are timeless, and expression of the purity of the Cistercian
rule.
Many
artists have fallen in love with Provence before us, attracted by its bright
colours, its rounded forms and its lush, and rather wild nature. In fact the
impressionist painters such as Monet, Renoir, Sisley, Manet, Degas and Pissarro
do not only limit themselves to portraying Provençal landscapes they
choose to live in them: Van Gogh, chose to live in Arles, Toulouse-Lautrec chose
Matisse, while Chagall and Pablo Picasso elected to make the Mediterranean coast
their home. While Mistral, an authentic provençal native, and Nobel literature
prize winner in 1804, also extolled its virtues in his famous poems: Mirèio,
Calèndal and Lou pouèmo dòu Rose.